Seungyeon Woo

Seungyeon’s practice explores how familiar structures and signs can remain open, unstable, and continuously transformable. Rather than treating systems as fixed or complete, she approaches them as fragile arrangements maintained through relationships between parts.

Working across installation, object-making, spatial composition, and image production, she deconstructs forms into elemental components such as line, angle, direction, layer, and structure. These elements are then reorganized into modular configurations that allow variation, repetition, and reconstruction depending on context and perception.

Her recent works focus particularly on the arrow as a visual language that appears universal and immediately recognizable. Through distortion, fragmentation, and spatial translation, the arrow becomes less a stable symbol and more an open structure whose meaning constantly shifts through material, placement, and interaction.